by Robert Cart This article introduces flutists to the imagery and physiological concepts of vocal pedagogy as presented by the great masters of bel canto singing (Lamperti, Garcia, Miller, et al), integrated with pedagogical approaches of the French school of flute playing as taught by Taffenel, Gaubert, Moyse, et al.  The bel canto principles of appoggio, portamento, and messa di voce and their application to flute playing will be discussed alongside accompanying explanations of physiology and anatomy and practical exercises designed to help the flutist master these principles. By applying approaches of the bel canto school of singing, flutists should … Continue reading Appoggio and the Art and Science of Bel Canto Flute Pedagogy