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The ancient Greeks thought music was of divine origin. The gods and Muses were connected with music, and some even invented musical instruments: the lyre by Hermes or Apollo, the simple flute by Athene, the shepherd’s flute by Pan.
Tango is a cultural manifestation that was generated and developed in the popular sphere and as such it was developing its own tools.
The flute is a foundational instrument and we find it as an almost indispensable instrument in the origins, at the end of the 19th century during the period called the “old guard”.
ΠΠ°ΡΠΈΠ½Π° ΠΠΎΠ»ΠΎΠ³Π΄ΠΈΠ½Π° 160 Π»Π΅Ρ ΡΠΎΠΌΡ Π½Π°Π·Π°Π΄, Π² 1861 Π³ΠΎΠ΄Ρ, ΠΡΡΠΎΡΠ°ΠΉΡΠΈΠΌ ΡΠΊΠ°Π·ΠΎΠΌ ΠΠ»Π΅ΠΊΡΠ°Π½Π΄ΡΠ° II Π±ΡΠ»Π° ΡΡΡΠ΅ΠΆΠ΄Π΅Π½Π° Π‘Π°Π½ΠΊΡ-ΠΠ΅ΡΠ΅ΡΠ±ΡΡΠ³ΡΠΊΠ°Ρ ΠΊΠΎΠ½ΡΠ΅ΡΠ²Π°ΡΠΎΡΠΈΡ, ΠΎΡΠΈΡΠΈΠ°Π»ΡΠ½ΠΎΠ΅ ΠΎΡΠΊΡΡΡΠΈΠ΅ ΠΊΠΎΡΠΎΡΠΎΠΉ ΡΠΎΡΡΠΎΡΠ»ΠΎΡΡ Π³ΠΎΠ΄ΠΎΠΌ ΠΏΠΎΠ·ΠΆΠ΅. ΠΠ΅ΡΠ²ΡΠΌ Π΅Ρ ΠΏΡΠΎΡΠ΅ΡΡΠΎΡΠΎΠΌ ΠΏΠΎ ΠΊΠ»Π°ΡΡΡ ΡΠ»Π΅ΠΉΡΡ ΡΡΠ°Π» ΠΈΠ·Π²Π΅ΡΡΠ½ΡΠΉ ΠΈΡΠ°Π»ΡΡΠ½ΡΠΊΠΈΠΉ ΠΌΡΠ·ΡΠΊΠ°Π½Ρ Π§Π΅Π·Π°ΡΠ΅ Π§ΠΈΠ°ΡΠ΄ΠΈ, Π΄Π°Π² Π½Π°ΡΠ°Π»ΠΎ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠΎΠ½Π°Π»ΡΠ½ΠΎΠΌΡ ΠΎΠ±ΡΡΠ΅Π½ΠΈΡ ΠΈΠ³ΡΠ΅ Π½Π° ΡΠ»Π΅ΠΉΡΠ΅ Π² Π ΠΎΡΡΠΈΠΈ. ΠΠ½ ΡΠΎΠ΄ΠΈΠ»ΡΡ 28 ΠΈΡΠ½Ρ 1818 Π³ΠΎΠ΄Π° Π² ΠΈΡΠ°Π»ΡΡΠ½ΡΠΊΠΎΠΌ Π³ΠΎΡΠΎΠ΄Π΅ ΠΡΠ°ΡΠΎ Π² Π³Π΅ΡΡΠΎΠ³ΡΡΠ²Π΅ Π’ΠΎΡΠΊΠ°Π½ΡΠΊΠΎΠΌ, Π½Π΅Π΄Π°Π»Π΅ΠΊΠΎ ΠΎΡ…
por Manuel Carranza Cueto Cuando se habla del PerΓΊ en cualquier parte del mundo por lo general se lo asocia a una de las Siete Maravillas del Mundo Moderno y tambiΓ©n de unos de los mΓ‘s importantes vestigios considerados Patrimonio de la Humanidad desde 1983: Machu Picchu (Cuzco). Los Incas – forjadores del Imperio del Tahuantinsuyo en SudamΓ©rica –…
di Onorio Zaralli Parleremo ora della dimensione emotiva “in concerto”. E’ una dimensione importantissima, al pari della tecnica strumentale e della conoscenza musicale del testo. DirΓ² di piΓΉ: lβinfluenza che essa esercita sulla resa esecutiva Γ¨ ancor piΓΉ determinante proprio perchΓ© sfugge maggiormente al nostro controllo. Quante volte, con una buona forma fisica, una tecnica sicura, una buona conoscenza…
The pursuit of beautiful soundin our instrument passes, in addition to the taste of the performer and the fashions dictated by the great names of the moment, for the different ways of posing the moving parts that, between the instrument and the instrumentalist, play a decisive role in defining the timbre, i.e. the quality of the sounds produced. Moving…
by Yulia Berry It was not easy to find time in the busy schedule of StefΓ‘n Ragnar HΓΆskuldsson, soloist of the Chicago Symphony Orchestra, but finally we met for a conversation and I was able to ask some questions that have been burning me. Yulia: Dear StefΓ‘n, thank you for finding time for this interview to answer some questions…
Flamenco art, without losing sight of its original roots, does not miss the opportunity to visit other musical territories from which it learns new forms, scales and harmonies that end up being incorporated into its language, in a desire for constant updating.
ΠΠ°ΡΠ°Π»ΡΡ ΠΠ°ΡΠ°ΡΠΎΠ²Π° Π ΠΌΠΎΠ΅ΠΉ ΠΊΠΎΠ½ΡΠ΅ΡΡΠ½ΠΎΠΉ ΠΏΡΠ°ΠΊΡΠΈΠΊΠ΅ ΠΈΠΌΠ΅Π΅ΡΡΡ ΠΎΠ±ΡΠΈΡΠ½ΡΠΉ ΠΎΠΏΡΡ ΠΊΠ°ΠΌΠ΅ΡΠ½ΡΡ ΡΠΎΡΡΠ°Π²ΠΎΠ² Ρ ΡΡΠ°ΡΡΠΈΠ΅ΠΌ ΠΌΠ°Π½Π΄ΠΎΠ»ΠΈΠ½Ρ. Π ΠΎΡΠ½ΠΎΠ²Π½ΠΎΠΌ ΡΡΠΎ ΡΠΈΡΠΎΠΊΠΎ ΡΠ°ΡΠΏΡΠΎΡΡΡΠ°Π½Π΅Π½Π½ΡΠ΅ ΠΊΠ»Π°ΡΡΠΈΡΠ΅ΡΠΊΠΈΠ΅ ΡΠΎΡΡΠ°Π²Ρ, Π½Π°ΠΏΡΠΈΠΌΠ΅Ρ ΠΌΠ°Π½Π΄ΠΎΠ»ΠΈΠ½Π° ΠΈ ΡΠΎΡΡΠ΅ΠΏΠΈΠ°Π½ΠΎ, ΠΌΠ°Π½Π΄ΠΎΠ»ΠΈΠ½Π° ΠΈ ΡΡΡΡΠ½Π½ΡΠ΅ ΠΈΠ»ΠΈ, ΠΎΠ΄ΠΈΠ½ ΠΈΠ· ΡΠ°ΠΌΡΡ ΡΠ°ΡΡΠΎ Π²ΡΡΡΠ΅ΡΠ°ΡΡΠΈΡ ΡΡ (Π΅ΡΠ»ΠΈ ΠΏΡΠΈΠΌΠ΅Π½ΠΈΡΠ΅Π»ΡΠ½ΠΎ ΠΊ ΠΌΠ°Π½Π΄ΠΎΠ»ΠΈΠ½Π΅ Π²ΠΎΠΎΠ±ΡΠ΅ ΠΌΠΎΠΆΠ½ΠΎ ΡΠΏΠΎΡΡΠ΅Π±ΠΈΡΡ ΡΠ»ΠΎΠ²ΠΎ Β«ΡΠ°ΡΡΠΎΒ»), ΠΌΠ°Π½Π΄ΠΎΠ»ΠΈΠ½Π° ΠΈ Π³ΠΈΡΠ°ΡΠ°, ΠΏΡΠΎΡΠΎΡΠΈΠΏΠΎΠΌ ΠΊΠΎΡΠΎΡΡΡ ΡΡΠ°Π»ΠΈ ΡΠΎΡΡΠ°Π²Ρ Ρ ΡΠΎΠ»ΠΈΡΡΡΡΠΈΠΌ ΠΈΠ½ΡΡΡΡΠΌΠ΅Π½ΡΠΎΠΌ ΠΈ ΡΠΎΠΏΡΠΎΠ²ΠΎΠΆΠ΄Π΅Π½ΠΈΠ΅ΠΌ. ΠΠ΄Π½Π°ΠΊΠΎ, ΡΠ°ΠΌΠ° ΠΏΠΎ ΡΠ΅Π±Π΅…
ΠΠ½ΡΠΎΠ½ ΠΡΡΠ½ΠΈΡ ΠΠ΅ΠΆΠ΄ΡΠ½Π°ΡΠΎΠ΄Π½ΡΠΉ ΠΠΈΠ΅Π²ΡΠΊΠΈΠΉ Π€Π»Π΅ΠΉΡΠΎΠ²ΡΠΉ Π€Π΅ΡΡΠΈΠ²Π°Π»Ρ β Π½ΠΎΠ²ΡΠΉ ΠΏΡΠΎΠ΅ΠΊΡ ΠΎΡΠΊΡΡΡΡΠΉ Π΄Π»Ρ ΡΠΎΡΡΡΠ΄Π½ΠΈΡΠ΅ΡΡΠ²Π°! ΠΡΠΈΠ³Π»Π°ΡΠ°Π΅ΠΌ ΠΠ°Ρ ΠΎΠΊΡΠ½ΡΡΡΡΡ Π² ΠΌΠΈΡ ΡΠ»Π΅ΠΉΡΡ ΠΈ ΡΠ°Π·Π΄Π΅Π»ΠΈΡΡ Ρ Π½Π°ΠΌΠΈ ΡΠ°Π΄ΠΎΡΡΡ ΡΠΎΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π°! ΠΡΠ΅ ΡΠ°ΡΠ΅ ΠΌΡ ΡΡΠ°Π»ΠΊΠΈΠ²Π°Π΅ΠΌΡΡ Ρ ΠΏΡΠΎΠ±Π»Π΅ΠΌΠΎΠΉ, Ρ ΡΠΈΡΡΠ°ΡΠΈΠ΅ΠΉ, ΠΊΠΎΠ³Π΄Π° Π² ΡΡΠ»ΠΎΠ²ΠΈΡΡ ΠΏΠ°Π½Π΄Π΅ΠΌΠΈΠΈ ΠΈ ΡΠΏΠΈΠ΄Π΅ΠΌΠΈΠΎΠ»ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΡ ΠΎΠ³ΡΠ°Π½ΠΈΡΠ΅Π½ΠΈΠΉ ΠΈΡΠΏΠΎΠ»Π½ΠΈΡΠ΅Π»ΠΈ Π°ΠΊΠ°Π΄Π΅ΠΌΠΈΡΠ΅ΡΠΊΠΎΠΉ ΠΌΡΠ·ΡΠΊΠΈ Π²ΡΠ½ΡΠΆΠ΄Π΅Π½Ρ Π±ΠΎΡΠΎΡΡΡΡ Π·Π° ΠΏΡΠ°Π²ΠΎ Π·Π°Π½ΠΈΠΌΠ°ΡΡΡΡ ΡΠ²ΠΎΠ΅ΠΉ ΠΏΡΠΎΡΠ΅ΡΡΠΈΠ΅ΠΉ ΠΈ Π΄ΠΎΠΊΠ°Π·ΡΠ²Π°ΡΡ Π΅Π΅ Π½Π΅ΠΎΠ±Ρ ΠΎΠ΄ΠΈΠΌΠΎΡΡΡ. ΠΠ½ΠΎΠ³ΠΈΠ΅ ΠΊΠΎΠ½ΡΠ΅ΡΡΡ Π½Π΅ ΡΠΎΡΡΠΎΡΠ»ΠΈΡΡ, ΡΠ΅Π³ΡΠ»ΡΡΠ½ΠΎ ΠΏΡΠΎΠ²ΠΎΠ΄ΠΈΠΌΡΠ΅,…
Nominations are now open for the 2025…
This Fall marks a very special milestone:…
A Global Home for the Flute Community…
Weβre excited to unveil the vibrant Summer…
As we step into a new season,…
Flute Almanac proudly presents its Winter 2025…
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