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The ancient Greeks thought music was of divine origin. The gods and Muses were connected with music, and some even invented musical instruments: the lyre by Hermes or Apollo, the simple flute by Athene, the shepherd’s flute by Pan.
Tango is a cultural manifestation that was generated and developed in the popular sphere and as such it was developing its own tools.
The flute is a foundational instrument and we find it as an almost indispensable instrument in the origins, at the end of the 19th century during the period called the “old guard”.
ŠŠ°ŃŠøŠ½Š° ŠŠ¾Š»Š¾Š³Š“ŠøŠ½Š° 160 Š»ŠµŃ ŃŠ¾Š¼Ń Š½Š°Š·Š°Š“, Š² 1861 Š³Š¾Š“Ń, ŠŃŃŠ¾ŃŠ°Š¹ŃŠøŠ¼ ŃŠŗŠ°Š·Š¾Š¼ ŠŠ»ŠµŠŗŃŠ°Š½Š“ŃŠ° II Š±ŃŠ»Š° ŃŃŃŠµŠ¶Š“ŠµŠ½Š° Š”Š°Š½ŠŗŃ-ŠŠµŃŠµŃŠ±ŃŃŠ³ŃŠŗŠ°Ń ŠŗŠ¾Š½ŃŠµŃŠ²Š°ŃŠ¾ŃŠøŃ, Š¾ŃŠøŃŠøŠ°Š»ŃŠ½Š¾Šµ Š¾ŃŠŗŃŃŃŠøŠµ ŠŗŠ¾ŃŠ¾ŃŠ¾Š¹ ŃŠ¾ŃŃŠ¾ŃŠ»Š¾ŃŃ Š³Š¾Š“Š¾Š¼ ŠæŠ¾Š·Š¶Šµ. ŠŠµŃŠ²ŃŠ¼ ŠµŃ ŠæŃŠ¾ŃŠµŃŃŠ¾ŃŠ¾Š¼ ŠæŠ¾ ŠŗŠ»Š°ŃŃŃ ŃŠ»ŠµŠ¹ŃŃ ŃŃŠ°Š» ŠøŠ·Š²ŠµŃŃŠ½ŃŠ¹ ŠøŃŠ°Š»ŃŃŠ½ŃŠŗŠøŠ¹ Š¼ŃŠ·ŃŠŗŠ°Š½Ń Š§ŠµŠ·Š°ŃŠµ Š§ŠøŠ°ŃŠ“Šø, Š“Š°Š² Š½Š°ŃŠ°Š»Š¾ ŠæŃŠ¾ŃŠµŃŃŠøŠ¾Š½Š°Š»ŃŠ½Š¾Š¼Ń Š¾Š±ŃŃŠµŠ½ŠøŃ ŠøŠ³ŃŠµ Š½Š° ŃŠ»ŠµŠ¹ŃŠµ Š² Š Š¾ŃŃŠøŠø. ŠŠ½ ŃŠ¾Š“ŠøŠ»ŃŃ 28 ŠøŃŠ½Ń 1818 Š³Š¾Š“Š° Š² ŠøŃŠ°Š»ŃŃŠ½ŃŠŗŠ¾Š¼ Š³Š¾ŃŠ¾Š“Šµ ŠŃŠ°ŃŠ¾ Š² Š³ŠµŃŃŠ¾Š³ŃŃŠ²Šµ Š¢Š¾ŃŠŗŠ°Š½ŃŠŗŠ¾Š¼, Š½ŠµŠ“Š°Š»ŠµŠŗŠ¾ Š¾Ń…
por Manuel Carranza Cueto Cuando se habla del PerĆŗ en cualquier parte del mundo por lo general se lo asocia a una de las Siete Maravillas del Mundo Moderno y tambiĆ©n de unos de los mĆ”s importantes vestigios considerados Patrimonio de la Humanidad desde 1983: Machu Picchu (Cuzco). Los Incas – forjadores del Imperio del Tahuantinsuyo en SudamĆ©rica –…
di Onorio Zaralli Parleremo ora della dimensione emotiva “in concerto”. E’ una dimensione importantissima, al pari della tecnica strumentale e della conoscenza musicale del testo. DirĆ² di piĆ¹: lāinfluenza che essa esercita sulla resa esecutiva ĆØ ancor piĆ¹ determinante proprio perchĆ© sfugge maggiormente al nostro controllo. Quante volte, con una buona forma fisica, una tecnica sicura, una buona conoscenza…
The pursuit of beautiful soundin our instrument passes, in addition to the taste of the performer and the fashions dictated by the great names of the moment, for the different ways of posing the moving parts that, between the instrument and the instrumentalist, play a decisive role in defining the timbre, i.e. the quality of the sounds produced. Moving…
by Yulia Berry It was not easy to find time in the busy schedule of StefĆ”n Ragnar Hƶskuldsson, soloist of the Chicago Symphony Orchestra, but finally we met for a conversation and I was able to ask some questions that have been burning me. Yulia: Dear StefĆ”n, thank you for finding time for this interview to answer some questions…
Flamenco art, without losing sight of its original roots, does not miss the opportunity to visit other musical territories from which it learns new forms, scales and harmonies that end up being incorporated into its language, in a desire for constant updating.
ŠŠ°ŃŠ°Š»ŃŃ ŠŠ°ŃŠ°ŃŠ¾Š²Š° Š Š¼Š¾ŠµŠ¹ ŠŗŠ¾Š½ŃŠµŃŃŠ½Š¾Š¹ ŠæŃŠ°ŠŗŃŠøŠŗŠµ ŠøŠ¼ŠµŠµŃŃŃ Š¾Š±ŃŠøŃŠ½ŃŠ¹ Š¾ŠæŃŃ ŠŗŠ°Š¼ŠµŃŠ½ŃŃ ŃŠ¾ŃŃŠ°Š²Š¾Š² Ń ŃŃŠ°ŃŃŠøŠµŠ¼ Š¼Š°Š½Š“Š¾Š»ŠøŠ½Ń. Š Š¾ŃŠ½Š¾Š²Š½Š¾Š¼ ŃŃŠ¾ ŃŠøŃŠ¾ŠŗŠ¾ ŃŠ°ŃŠæŃŠ¾ŃŃŃŠ°Š½ŠµŠ½Š½ŃŠµ ŠŗŠ»Š°ŃŃŠøŃŠµŃŠŗŠøŠµ ŃŠ¾ŃŃŠ°Š²Ń, Š½Š°ŠæŃŠøŠ¼ŠµŃ Š¼Š°Š½Š“Š¾Š»ŠøŠ½Š° Šø ŃŠ¾ŃŃŠµŠæŠøŠ°Š½Š¾, Š¼Š°Š½Š“Š¾Š»ŠøŠ½Š° Šø ŃŃŃŃŠ½Š½ŃŠµ ŠøŠ»Šø, Š¾Š“ŠøŠ½ ŠøŠ· ŃŠ°Š¼ŃŃ ŃŠ°ŃŃŠ¾ Š²ŃŃŃŠµŃŠ°ŃŃŠøŃ ŃŃ (ŠµŃŠ»Šø ŠæŃŠøŠ¼ŠµŠ½ŠøŃŠµŠ»ŃŠ½Š¾ Šŗ Š¼Š°Š½Š“Š¾Š»ŠøŠ½Šµ Š²Š¾Š¾Š±ŃŠµ Š¼Š¾Š¶Š½Š¾ ŃŠæŠ¾ŃŃŠµŠ±ŠøŃŃ ŃŠ»Š¾Š²Š¾ Ā«ŃŠ°ŃŃŠ¾Ā»), Š¼Š°Š½Š“Š¾Š»ŠøŠ½Š° Šø Š³ŠøŃŠ°ŃŠ°, ŠæŃŠ¾ŃŠ¾ŃŠøŠæŠ¾Š¼ ŠŗŠ¾ŃŠ¾ŃŃŃ ŃŃŠ°Š»Šø ŃŠ¾ŃŃŠ°Š²Ń Ń ŃŠ¾Š»ŠøŃŃŃŃŠøŠ¼ ŠøŠ½ŃŃŃŃŠ¼ŠµŠ½ŃŠ¾Š¼ Šø ŃŠ¾ŠæŃŠ¾Š²Š¾Š¶Š“ŠµŠ½ŠøŠµŠ¼. ŠŠ“Š½Š°ŠŗŠ¾, ŃŠ°Š¼Š° ŠæŠ¾ ŃŠµŠ±Šµ…
ŠŠ½ŃŠ¾Š½ ŠŃŃŠ½ŠøŃ ŠŠµŠ¶Š“ŃŠ½Š°ŃŠ¾Š“Š½ŃŠ¹ ŠŠøŠµŠ²ŃŠŗŠøŠ¹ Š¤Š»ŠµŠ¹ŃŠ¾Š²ŃŠ¹ Š¤ŠµŃŃŠøŠ²Š°Š»Ń ā Š½Š¾Š²ŃŠ¹ ŠæŃŠ¾ŠµŠŗŃ Š¾ŃŠŗŃŃŃŃŠ¹ Š“Š»Ń ŃŠ¾ŃŃŃŠ“Š½ŠøŃŠµŃŃŠ²Š°! ŠŃŠøŠ³Š»Š°ŃŠ°ŠµŠ¼ ŠŠ°Ń Š¾ŠŗŃŠ½ŃŃŃŃŃ Š² Š¼ŠøŃ ŃŠ»ŠµŠ¹ŃŃ Šø ŃŠ°Š·Š“ŠµŠ»ŠøŃŃ Ń Š½Š°Š¼Šø ŃŠ°Š“Š¾ŃŃŃ ŃŠ¾ŃŠ²Š¾ŃŃŠµŃŃŠ²Š°! ŠŃŠµ ŃŠ°ŃŠµ Š¼Ń ŃŃŠ°Š»ŠŗŠøŠ²Š°ŠµŠ¼ŃŃ Ń ŠæŃŠ¾Š±Š»ŠµŠ¼Š¾Š¹, Ń ŃŠøŃŃŠ°ŃŠøŠµŠ¹, ŠŗŠ¾Š³Š“Š° Š² ŃŃŠ»Š¾Š²ŠøŃŃ ŠæŠ°Š½Š“ŠµŠ¼ŠøŠø Šø ŃŠæŠøŠ“ŠµŠ¼ŠøŠ¾Š»Š¾Š³ŠøŃŠµŃŠŗŠøŃ Š¾Š³ŃŠ°Š½ŠøŃŠµŠ½ŠøŠ¹ ŠøŃŠæŠ¾Š»Š½ŠøŃŠµŠ»Šø Š°ŠŗŠ°Š“ŠµŠ¼ŠøŃŠµŃŠŗŠ¾Š¹ Š¼ŃŠ·ŃŠŗŠø Š²ŃŠ½ŃŠ¶Š“ŠµŠ½Ń Š±Š¾ŃŠ¾ŃŃŃŃ Š·Š° ŠæŃŠ°Š²Š¾ Š·Š°Š½ŠøŠ¼Š°ŃŃŃŃ ŃŠ²Š¾ŠµŠ¹ ŠæŃŠ¾ŃŠµŃŃŠøŠµŠ¹ Šø Š“Š¾ŠŗŠ°Š·ŃŠ²Š°ŃŃ ŠµŠµ Š½ŠµŠ¾Š±Ń Š¾Š“ŠøŠ¼Š¾ŃŃŃ. ŠŠ½Š¾Š³ŠøŠµ ŠŗŠ¾Š½ŃŠµŃŃŃ Š½Šµ ŃŠ¾ŃŃŠ¾ŃŠ»ŠøŃŃ, ŃŠµŠ³ŃŠ»ŃŃŠ½Š¾ ŠæŃŠ¾Š²Š¾Š“ŠøŠ¼ŃŠµ,…
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