di Mirella Pantano Come le filosofie orientali possono aiutare lo studio di uno strumento, le performance e la coscienza di sé. Sono da sempre stata
To access all available languages from a Mobile phone switch to a desktop version in the browser settings, choose a desired language and switch back to a Mobile version. You only need to do it once.
Dear flutists, We would like to introduce the 5th edition of The Babel Flute! We thank our authors for their incredible articles in which they share their knowledge, experience and talents! This is a truly international magazine, created by flutists from all over the world! 10 new authors have joined us in this edition! We are so happy to have them on our team!
In the 5th edition we highlight The Babel Flute Anniversary Celebration and share the incredible journey we took in May with 99 participants! Read all about it in the Anniversary category!
Anamarie Diaz, The Financial Flutist from USA gives a valuable advice how to take control of your finances in the Career & Management category.
Anush Naroyan, a native Armenian from Greece, talks about the duduk, an incredible Armenian wind instrument with a mysterious, mesmerizing sound in the Ethnic Flutes category.
Eileen Gilligan from Australia talks about how to approach the study of Marcel Moyce’s Tone Development Through Interpretation in the Flute Technique category.
Enrico Sartori from Italy-China reviews flute methods for intermediate level students with a particular focus on Italian authors. Check out the Pedagogy category!
Gian Marco Verdone from Italy is the creator of the RealStage software, your ultimate study companion. Read his review of its features in the Multimedia category!
Helen Campo from USA shares her thoughts on some aspects of being a professional flutist in the new category “Flutist Diary”
Ilja Dvoretskiy from Russia continues reviewing flute basics in the category “Pedagogy”. In Part 2 he talks about breathing.
Irina Stachinskaya from Russia analyzes Carl Philipp Emmanuel Bach’s sonata in A minor for flute solo in the category “Analysis & Interpretation”. Don’t miss it!
Kathy Blocki from USA tells us how to speed up your brain for efficient practice in the category “Children Corner”.
Laura Chislett from Australia introduces new flute music by 4 composers from China in the category “Contemporary music”.
Ludwig Böhm from Germany shares his impressions after the 5th International Theobald Böhm Flute Competition in the New & Events category.
Marco Gaudino from Italy shows his invention to improve the flute sound in the Flute Makers & Repair category
Mirella Pantano from Italy talks about Mindfulness and how to apply its principles to flute kinesthesia in the category ” Physiology”
Monica Moroni from San Marino shows the beauty of the bass flute in the category “Flute Family”
Onorio Zaralli from Italy analyzes aesthetic profile and playing style of Mozart in the category ” Analysis & Interpretation”
Robert Cart from USA talks about the art and science of Bel Canto flute pedagogy in the category ” Flute Technique”
Snježana Pavićević from Serbia praises its Highness – Piccolo! In the category ” Flute Family”
Sofia de Salis gives advice on how to manage time and make 100% out of your practice. Read it in the category “Pedagogy”.
Stefan Keller from Switzerland takes us to the world of low flutes. Don’t miss his incredible presentation in the category ” Flute Family”!
Valentina Galaz from Argentina gives an advice on how to structure online lessons in order to make them 100% effective. “Multimedia” category
Vilma Campitelli from Italy tells about Florence Price – a perfect tribute to this amazing African-American female composer on the day when the United States celebrate Juneteenth, a federal holiday commemorating the emancipation of enslaved African Americans! “Composers & Biographies” category
Yulia Berry from USA talks about Holograms. Are they the future of performance? Read the answer in the Artificial intelligence category.
Do not forget to play our new flute games and test your knowledge in the new flute quizzes, brought to you by Onorio Zaralli!
Remember to use the translate button on the website to read all articles in your preferred language.
We hope you enjoy reading, sharing, commenting, discussing and supporting our authors.
We invite everyone to join our international flute community!
We start accepting articles for the September Edition.
di Mirella Pantano Come le filosofie orientali possono aiutare lo studio di uno strumento, le performance e la coscienza di sé. Sono da sempre stata
Valentina Galaz La metodología para desarrollar una clase online es evidentemente muy diferente a la clase presencial. En lo que ahora es Escuela de Flautistas,
di Gian Marco Verdone Studio solitario? Abbiamo un “piano”! Durante la mia esperienza come Maestro Collaboratore presso l’Accademia del Flauto “Glauco Cambursano” (Fondazione Accademia Internazionale
di Gian Marco Verdone Studio solitario? Abbiamo un “piano”! Durante
Read Moreby Manuel Carranza Cueto Es muy conocido que la influencia
Read Moreby Enrico Sartori Almost every flute player is familiar with
Read MoreBy Eduardo Tami INTRODUCCIÓN El tango es una manifestación cultural
Read Moreby Laura Chislett Accomplished Australian
L'arte dell'espressività by Francesca Cescon
Il suono dell'anima armena di
por Manuel Carranza Cueto Cuando
di Marco Felicioni Il fascino
Di Nicola Rizzo Eccoci qui
Storia del flauto jazz -
by Bill McBirnie From the
by Ludwig Böhm The 5th International Theobald Böhm Competition for
Read MoreANALYSIS & INTERPRETATION
PLAYING IN CONCERT
By Lea Pearson, DMA Whether you have injury
Posted: Edition 4 - March 2022, Playing In Concert, USA / March 20, 2022O.Zaralli Prendiamo ora in esame una qualità che
Posted: Edition 3 - December 2021, Italy, Playing In Concert / December 20, 2021by Yulia Berry The most
Posted: Edition 4 - March 2022, Flute in Art, USA / March 20, 2022by Yulia Berry The Dutch
Posted: Edition 3 - December 2021, Flute in Art, North America / December 20, 2021by Yulia Berry “Poetry is
Posted: Edition 2 - September 2021, Flute in Art, North America / September 20, 2021by Yulia Berry The ancient
Posted: Edition 1 - June 2021, Flute in Art, North America / June 20, 2021by Helen Campo It’s the beginning of May - an average overcast morning in New York City, and I’m gazing out the window by my
by Laura Chislett Accomplished Australian
Posted: Australia, China, Contemporary Music, Edition 5 - June 2022 / June 20, 2022By Eileen Gilligan Tone Development
Posted: Australia, Edition 5 - June 2022, Flute Technique / June 20, 2022by Eileen Gilligan It all
Posted: Australia, Edition 4 - March 2022, Flute Technique / March 20, 2022by Enrico Sartori When I
Posted: Children's Corner, China, Edition 5 - June 2022, Italy, Pedagogy / June 20, 2022by Ebele The Flutist This
Posted: Africa, Career & Management, Edition 4 - March 2022, Nigeria / March 20, 2022Valentina Galaz La metodología para
Posted: Argentina, Edition 5 - June 2022, Multimedia / June 20, 2022by Manuel Carranza Cueto Es
Posted: Edition 4 - March 2022, Ensembles & Repertoire, Peru / March 20, 2022Por Manuel Carranza Cueto Al
Posted: Central-South America, Contemporary Music, Edition 3 - December 2021, Peru / December 20, 2021Por Manuel Carranza Cueto En
Posted: Central-South America, Contemporary Music, Edition 2 - September 2021, Peru / September 20, 2021By Eduardo Tami INTRODUCCIÓN El
Posted: Central-South America, Edition 1 - June 2021, Ensembles & Repertoire / June 20, 2021por Manuel Carranza Cueto Cuando
Posted: Central-South America, Edition 1 - June 2021, Ethnic Flutes, Peru / June 20, 2021International Kyiv Flute Festival –
Posted: Edition 3 - December 2021, Germany, News and Events, Ukraine / December 20, 2021Антон Кушнир Международный Киевский Флейтовый
Posted: Edition 1 - June 2021, News and Events, Ukraine / June 20, 2021di Mirella Pantano Come le filosofie orientali possono aiutare lo studio di uno strumento, le performance e la coscienza di sé. Sono da sempre stata
Mirella Pantano Il FlautoPensiero Negli articoli precedenti mi sono soffermata sulla parte cinestetica del lavoro flautistico; vorrei in questa occasione concentrare la mia attenzione su
di Marco Gaudino Il corretto uso dei muscoli dello strumentista nella produzione del suono nel flauto e negli strumenti a fiato è da considerarsi elemento
Автор - София де Салис В этой части своей методики «Эффективных занятий» я бы хотела поговорить более подробно о системе « Ключ» Хасая Алиева и дать
CHILDREN’S CORNER
by Yulia Berry The most exquisite form of art in Japan besides music is painting. It was inseparable from calligraphy,
by Yulia Berry The Dutch Golden Age was a period in the history of the Netherlands, spanning about the 17th
by Yulia Berry “Poetry is music in words, and music is poetry in sound.”Fuller Wikipedia defines Poetry (derived from the
by Yulia Berry The ancient Greeks thought music was of divine origin. The gods and Muses were connected with music,
Valentina Galaz La metodología para desarrollar una clase online es evidentemente muy diferente a la clase presencial. En lo que
di Gian Marco Verdone Studio solitario? Abbiamo un “piano”! Durante la mia esperienza come Maestro Collaboratore presso l’Accademia del Flauto
By Dr. Heidi Kay Begay Changes Within the Music Industry I have a question for you. Have you noticed how
Valentina Galaz La metodología para desarrollar una clase online es evidentemente muy diferente a la clase presencial. En lo que
di Gian Marco Verdone Studio solitario? Abbiamo un “piano”! Durante la mia esperienza come Maestro Collaboratore presso l’Accademia del Flauto
By Dr. Heidi Kay Begay Changes Within the Music Industry I have a question for you. Have you noticed how
di Onorio Zaralli MuseScore, accessibile all’indirizzo http://www.musescore.org, è un eccellente software di notazione musicale. A nostro avviso il migliore tra
Il suono dell'anima armena di Anush Naroyan L'Armenia è un paese antico: la sua cultura, così come le sue tradizioni,
por Manuel Carranza Cueto Cuando se habla del Perú en cualquier parte del mundo por lo general se lo asocia
di Marco Felicioni Il fascino e l’importanza del flauto sono ben conosciuti e apprezzati in molte culture. È risaputo che
Di Nicola Rizzo Eccoci qui ad un nuovo appuntamento con la storia del flauto jazz. Protagonisti di oggi Buddy Collette
Storia del flauto jazz - Parte seconda di Nicola Rizzo Ed eccoci ad un nuovo appuntamento del nostro viaggio alla
by Bill McBirnie From the start, I can guarantee you that learning to improvise will give you a genuine opportunity
by Yulia Berry The Babel Flute turned…
Автор – Софья де Салис Мы должны…
Автор – Илья Дворецкий В предыдущих главах…
by Robert Cart This article introduces flutists…
di Onorio Zaralli Il Concerto in Sol…
Автор: Ирина Стачинская На примере I и…
The Babel Flute is an International Flute Magazine & Community, available in any language and created by flutists from all over the world.
It offers magazine, forum, job/collaboration board, store, calendar, and quizzes and games.
The magazine is published 4 times per year: March – June – September – December.
Sponsored by: Web Flute Academy, New England Flute Institute & Scuola Flautistica Italiana
Founders/Directors: Onorio Zaralli – Yulia Berry
Rome, Italy - Boston, USA
Project of Web Flute Academy
Web design & development by Yulia Berry