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por Manuel Carranza Cueto Cuando se habla del Perú en cualquier parte del mundo por lo general se lo asocia a una de las Siete Maravillas del Mundo Moderno y también de unos de los más importantes vestigios considerados Patrimonio de la Humanidad desde 1983: Machu Picchu (Cuzco). Los Incas – forjadores del Imperio del Tahuantinsuyo en Sudamérica –…
di Onorio Zaralli Parleremo ora della dimensione emotiva “in concerto”. E’ una dimensione importantissima, al pari della tecnica strumentale e della conoscenza musicale del testo. Dirò di più: l’influenza che essa esercita sulla resa esecutiva è ancor più determinante proprio perché sfugge maggiormente al nostro controllo. Quante volte, con una buona forma fisica, una tecnica sicura, una buona conoscenza…
The pursuit of beautiful soundin our instrument passes, in addition to the taste of the performer and the fashions dictated by the great names of the moment, for the different ways of posing the moving parts that, between the instrument and the instrumentalist, play a decisive role in defining the timbre, i.e. the quality of the sounds produced. Moving…
by Yulia Berry It was not easy to find time in the busy schedule of Stefán Ragnar Höskuldsson, soloist of the Chicago Symphony Orchestra, but finally we met for a conversation and I was able to ask some questions that have been burning me. Yulia: Dear Stefán, thank you for finding time for this interview to answer some questions…
Flamenco art, without losing sight of its original roots, does not miss the opportunity to visit other musical territories from which it learns new forms, scales and harmonies that end up being incorporated into its language, in a desire for constant updating.
Наталья Марашова В моей концертной практике имеется обширный опыт камерных составов с участием мандолины. В основном это широко распространенные классические составы, например мандолина и фортепиано, мандолина и струнные или, один из самых часто встречающихся (если применительно к мандолине вообще можно употребить слово «часто»), мандолина и гитара, прототипом которых стали составы с солирующим инструментом и сопровождением. Однако, сама по себе…
Антон Кушнир Международный Киевский Флейтовый Фестиваль – новый проект открытый для сотрудничества! Приглашаем Вас окунуться в мир флейты и разделить с нами радость сотворчества! Все чаще мы сталкиваемся с проблемой, с ситуацией, когда в условиях пандемии и эпидемиологических ограничений исполнители академической музыки вынуждены бороться за право заниматься своей профессией и доказывать ее необходимость. Многие концерты не состоялись, регулярно проводимые,…
by Amin Kashanchi Why the flute needs so much maintenance and repair? A pianist needs a piano technician only when the piano gets out of tune. A guitarist meets with a technician only to fix a broken guitar. Most of the brass instrument players know how to fix the problems of their instruments by themselves.But for the woodwinds, and…
di Onorio Zaralli E’ una questione delicata, ma troppo fondamentale per non essere affrontata.Partiamo da una dichiarazione di Arturo Toscanini: a chi gli chiese, un giorno, “Maestro, qual è il suo stile?”, Toscanini rispose “Il mio stile è quello degli autori che dirigo: Haydn, Mozart, Beethoven”. Perfetto. Il punto è proprio questo: il musicista ha un dovere “etico”, quello…
Dear flutists, we are introducting the First Edition of The Babel Flute, created by flutists from all over the world! Read all articles in any language with just one click on the translation button at the top of the website. 1st Edition *The music used in the video is Fantasia No.5 by G.F.Telemann, recorded by Onorio Zaralli on the…
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FOR FLUTE TEACHERS:
Dear Contributors, Loyal Readers and Supporters, With…
Dear flutists and flute enthusiasts, We’re celebrating…
by Lea Pearson This lesson took place…
New album by Australian flautist Laura Chislett…
By Rachael Simon, with contributions from Kimberley…
Автор – Марина Вологдина 14 апреля исполнилось…
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