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by Enrico Sartori When I talk about intermediate flute students I refer to those who had regular flute lessons for a semester or one year, learned all the positions of the first two octaves, some positions of the third (up to a G at least) and can play some easy repertoire. There are countless flute methods in different countries…
Автор: Ирина Стачинская На примере I и II частей сонаты для флейты соло A-Moll Аннотация: В данной статье рассматривается связь искусства риторики со стилистикой сочинений, созданных в эпоху барокко. На примере I и II частей сонаты для флейты a-moll Ф. Э. Баха прослеживается роль риторических фигур в формировании выразительности её художественного содержания. Представленное исследование имеет целью подчёркнуть важность для…
by Cate Hummel At face value, Marcel Moyse’s Tone Development Through Interpretation seems like a hodgepodge of random melodies with little attribution and very little guidance as to where the melodies come from, what Moyse was trying to teach us, and little to no idea what we are supposed to be practicing. A lot of the confusion stems from…
L’arte dell’espressività by Francesca Cescon Il 7 aprile prossimo per la stagione concertistica Erremusica di Torino, eseguirò in prima assoluta Similare (al) fado, per flauto e pianoforte composto per l’occasione da Riccardo Piacentini. Fino ad ora avevo potuto ascoltarlo solo nelle vesti di ottimo pianista all’interno del suo Duo Alterno insieme al soprano Tiziana Scandaletti ma non avevo mai…
di Marco Gaudino Il corretto uso dei muscoli dello strumentista nella produzione del suono nel flauto e negli strumenti a fiato è da considerarsi elemento fondamentale per la gestione della qualità del suono nei suoi parametri di sostegno, qualità timbrica e sonora, nonché nella gestione del fiato tra la sua durata, velocità, intensità del flusso emesso. Le azioni muscolari…
By Dr. Heidi Kay Begay Changes Within the Music Industry I have a question for you. Have you noticed how much our music industry has changed within the last several years? Changes in how we teach and perform within the industry are becoming increasingly apparent. Also, changes within the job market are not the same as it was five…
By Lea Pearson, DMA Whether you have injury or discomfort, limited time in the practice room, lack of sleep that makes you too tired to physically practice, or just want to be more efficient in learning a piece – embodied practicing can be helpful. It is also the most productive route to memorizing a piece: to get it out…
Автор – Илья Дворецкий Всю свою жизнь, как и большинство профессиональных флейтистов, я посвятил игре на флейте. 38 лет постоянного опыта игры на этом прекрасном инструменте сподвигли меня задуматься о том, как избежать множества ошибок в период обучения? Как максимально эффективно использовать свои силы и физические данные, чтобы процесс постижения азов не превратился в борьбу длинною в жизнь? На…
Una “chiacchierata” introduttiva by Onorio Zaralli Un capolavoro autentico della letteratura flautistica è Syrinx, per flauto solo, di Claude Debussy.Le interpretazioni di questo brano risultano a tal punto differenti che alle volte è difficile convincersi che si tratti veramente… del medesimo testo.Innanzitutto, cerchiamo di scoprire la vera identità di questo brano. D’accordo con la libertà interpretativa, ma con l’arbitrio,…
Ein Plädoyer für schüleraktivierenden Instrumentalunterricht Von lic. phil. Renate Lemmer Schönenberger Kennen Sie diese drei Situationen? Die SchülerIn ist wortkarg und antriebslos … Sie als Lehrperson sind überaktiv und versuchen krampfhaft, die SchülerIn zu motivieren … nach dem Unterricht sind Sie erschöpft und ausgelaugt. Oder: Die SchülerIn möchte der Lehrperson alles recht machen … sie hat keine eigene Meinung…
Nominations are now open for the 2025…
This Fall marks a very special milestone:…
A Global Home for the Flute Community…
We’re excited to unveil the vibrant Summer…
As we step into a new season,…
Flute Almanac proudly presents its Winter 2025…
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