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by Cate Hummel At face value, Marcel Moyse’s Tone Development Through Interpretation seems like a hodgepodge of random melodies with little attribution and very little guidance as to where the melodies come from, what Moyse was trying to teach us, and little to no idea what we are supposed to be practicing. A lot of the confusion stems from…
di Marco Gaudino Il corretto uso dei muscoli dello strumentista nella produzione del suono nel flauto e negli strumenti a fiato è da considerarsi elemento fondamentale per la gestione della qualità del suono nei suoi parametri di sostegno, qualità timbrica e sonora, nonché nella gestione del fiato tra la sua durata, velocità, intensità del flusso emesso. Le azioni muscolari…
Автор – Илья Дворецкий Всю свою жизнь, как и большинство профессиональных флейтистов, я посвятил игре на флейте. 38 лет постоянного опыта игры на этом прекрасном инструменте сподвигли меня задуматься о том, как избежать множества ошибок в период обучения? Как максимально эффективно использовать свои силы и физические данные, чтобы процесс постижения азов не превратился в борьбу длинною в жизнь? На…
by Francisco Barbosa The cork stopper developed by Boehm during his intensive research between 1832 and 1847 is still used by most flute makers today. Indeed, it has evolved a lot. It consists of a small piece of cylindrical shape, occupying about 5.2 cm of space between the closed top end of the flute and the bezel through which…
di Marco Gaudino L’analisi della temperatura delle colonne d’aria che cooperano nella formazione e produzione del suono negli strumenti a fiato, tra lo strumento e lo strumentista, è di fondamentale importanza al fine di definire i parametri per la ricerca del bel suono. Uno strumento a fiato, rispetto al suo esecutore, deve essere definito come sistema non perfetto ma…
by Alan Weiss A beautiful tone is born naturally and cultivated over time. You want to strive to always keep developing a wide palette of timbres. You can nurture and evolve your control to become the best you can be! I have always stressed my tonal concept: Sing, never scream! Slow down and savor the long tones! You do…
Sound is an acoustic phenomenon, i.e. audible to the ear, produced by the periodic vibrations of an elastic body. Which is the elastic body that produces the sound in a violin or a guitar is easy to say: the strings that compose them are stressed by the performers. How is the sound produced instead in the instrument?
What is the…
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