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by Anamarie Diaz, The Financial Flutist The starving artist mindset holds a lot of weight in our society. This ideal is known by artists and non-artists, but we aren’t born believing that artists struggle financially. This concept is learned and internalized by the way artists are portrayed in media and from comments that are said to us by individuals…
By Rachael Simon As a professional flute repair specialist, one of the most common questions I receive from flutists is, “What kind of pads should I get?”. I love getting asked this question, because pads are probably one of my favorite things to talk about. It’s for good reason–there are few components that are as crucial to the sound…
by Stephen Clark There is little doubt that the music of Johann Sebastian Bach is some of the most loved repertoire that we, as flute players, have at our disposal. Often though, as much joy as this music brings flute players around the world, many musicians often feel intimidated and scared to play the music of this great master….
by Tim Lane Introduction A number of years ago I purchased an antique 1867 Carte system flute. I was curiousto know more about the 1867 system, to understand why so little about it is knowntoday and to know why it is no longer in use. Patented in 1866, Carte labeled the flute,“Carte and Boehm’s Combined (1867 Patent)” and he…
By Anamarie Diaz, The Financial Flutist Let’s talk about money. A word that can send shivers down many peoples spine and cause instant anxiety. If we’re being honest, talking about money is taboo. It’s an uncomfortable topic to the extent that many of us were told to never bring it up in conversation. But the truth is, money is…
by Kathy Blocki Do you ever feel a brain fog when trying to conquer a passage? Or maybe you feel like one of your students is in a brain fog. Sometimes you see improvement during a practice session, only to discover the next day that your retention was poor. Often, we rely on a seemly infinite number of repetitions to see lasting…
by Robert Cart This article introduces flutists to the imagery and physiological concepts of vocal pedagogy as presented by the great masters of bel canto singing (Lamperti, Garcia, Miller, et al), integrated with pedagogical approaches of the French school of flute playing as taught by Taffenel, Gaubert, Moyse, et al. The bel canto principles of appoggio, portamento, and messa…
by Yulia Berry The Babel Flute turned exactly one year old! But what is exactly The Babel Flute? The Babel Flute is a multilingual platform where flutists from many countries share their unique research and articles with the global flute community. The platform offers instant and exceptional quality translations in over 100 languages and aims to connect flute players…
by Yulia Berry The hologram concert revolution is here whether you like it or not. Over the past 20 years, holographic technology used in concerts has been booming! Technology is an important element in attracting the younger generation to classical music as opposed to gaudy art. And some companies and musicians are pioneering the use of this amazing technology…
by Helen Campo It’s the beginning of May – an average overcast morning in New York City, and I’m gazing out the window by my dining table drinking a cup of fennel tea, distractedly twirling my favorite oat breakfast cookie between my fingers. I notice, yet barely, the overlapping walls of brick, visible from the back of my apartment…
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Dear Contributors, Loyal Readers and Supporters, With…
Dear flutists and flute enthusiasts, We’re celebrating…
by Lea Pearson This lesson took place…
New album by Australian flautist Laura Chislett…
By Rachael Simon, with contributions from Kimberley…
Автор – Марина Вологдина 14 апреля исполнилось…
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