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Peter-Lukas Graf LIVE! – “A musical encounter” Text: Viktoria Eschenfelder – Photos: Stefan Keller A musical encounter This year’s Flautando Day on 4 November 2023 in Boswil was not just a musical encounter, no, it was a personal, entertaining, instructive and motivating encounter with the “doyen of flautists” Peter-Lukas Graf. During our chat during the break, he said: “Everyone…
di Marco Gaudino Per una piĆ¹ semplice comprensione del seguente articolo si consiglia di leggere gli articoli di Marco pubblicati nei numeri precedenti. Vedi articoli Marco Gaudino: Il cavo orale con cui il flautista interagisce durante la produzione del suono strumentale ĆØ tra gli organi in grado di modulare e modificare i timbri prodotti. Le modifiche del suono possono…
by Enrico Sartori If you mention the name Luigi Hugues to an Italian flute player, he or she would immediately recognize it and recall the years as a student practicing āLa Scuola del Flautoā op.51. Outside of Italy, however, Luigi Hugues is not at all well-known and if his name is familiar, it is probably because of Huguesā fame…
di Mirella Pantano Quanto siamo consapevoli delle nostre capacitĆ e di come funziona la nostra meravigliosa macchina dellāapprendimento? Conosciamo tutte quelle strategie e risorse che sono indispensabili per eseguire un brano in modo efficace? Quando arriva il momento in cui il linguaggio musicale diventa parte della nostra natura, espressione fisica e emotiva oltre che intellettuale? Oggi, in questo…
L’idea di un flautista per i flautisti di Onorio Zaralli A metĆ degli anni Novanta, durante un soggiorno estivo sulle Dolomiti, ebbi un’intuizione improvvisa… Passeggiavo sui sentieri dei boschi di abete, proprio lƬ, dove Antonio Stradivari si recava per scegliere gli alberi da cui ricavare il legno per i suoi violini. Sono stato sempre affascinato dal legno, dagli oggetti…
ŠŠ²ŃŠ¾Ń: ŠŠøŠ“ŠøŃ Š¤Š¾Š¼ŠµŠ½ŠŗŠ¾ ŠŠ ŠŠŠŠŠØŠŠŠŠ Š ŠŗŠ¾Š½ŃŠµ Š¾ŠŗŃŃŠ±ŃŃ Ń ŠæŠ¾Š»ŃŃŠøŠ»Š° ŠæŃŠøŠ³Š»Š°ŃŠµŠ½ŠøŠµ Š¾Ń Š²ŃŠæŃŃŠŗŠ½ŠøŠŗŠ° Š½Š°ŃŠµŠ¹ ŠŗŠ°ŃŠµŠ“ŃŃ ŠŃŠµŠŗŠ° Š Š°Š²ŠøŠ»Š¾Š²ŠøŃŠ° ŠŃŠ°Š½Š³ŃŠ¶ŠøŠ½Š° ŠæŃŠøŠ½ŃŃŃ ŃŃŠ°ŃŃŠøŠµ Š² ŠæŃŠ°Š·Š“Š½Š¾Š²Š°Š½ŠøŠø 100 Š»ŠµŃŠøŃ Š“ŃŃ Š¾Š²Š¾Š³Š¾ Š¾ŃŠŗŠµŃŃŃŠ° Š³Š¾ŃŠ¾Š“Š° ŠŠµŠ»Š¾ŃŠµŃŠŗŠ°, ŠŗŠ¾ŃŠ¾ŃŃŠ¼ Š¾Š½ ŃŃŠŗŠ¾Š²Š¾Š“ŠøŃ. Š§ŠµŃŠµŠ“Š° Š¾Š±ŃŃŠ½ŃŃ Š“ŠµŠ» ŠŗŠ°Šŗ ŃŠ¾ Š·Š°ŃŃŃŠµŠ²Š°Š»Š° Š·Š½Š°ŃŠøŠ¼Š¾ŃŃŃ ŃŠ¾Š±ŃŃŠøŃ, Š½Š¾ ŠŗŠ¾Š³Š“Š° Š¼Ń ŃŠ¶Šµ ŠµŃ Š°Š»Šø Š² ŃŠ°ŠŗŃŠø Ń ŠŗŠ¾Š»Š»ŠµŠ³Š°Š¼Šø ŠæŠ¾ ŠŗŠ°ŃŠµŠ“ŃŠµ, ŃŠ¾ Š²Š“ŃŃŠ³ ŃŠ²ŠøŠ“ŠµŠ»Šø ŃŃŠŗŃŃ ŃŠ°Š“ŃŠ³Ń Š² Š½Š¾ŃŠ±ŃŃŃŠŗŠ¾Š¼ Š½ŠµŠ±Šµ, ŃŠ»Š¾Š²Š½Š¾ ŃŠ°Š¼Š°…
by Ludwig Bƶhm (1.12.2023) ***We continue the publication of a series of articles by Ludwig Bƶhm fromāCommemorative Writing on the occasion of Theobald Bƶhmās 200th Birthday, Munich 1994ā, gradually approaching the celebration of Theobald Bƶhmās 230th birthday in 2024. 1) Where is the original of Theobaldās flute workshop book, which was copied by Anna Bƶhm (workshop Theobald Bƶhm) and Dr….
Dear flutists and flute enthusiasts, We are happy to announce the release of the 10th edition of The Babel Flute! Explore 25 new articles covering many diverse topics. This edition introduces 7 new contributors and includes Turkey as a new country, bringing the total contributors to 89 from 30 countries! With our distinctive one-click translation feature, the entire platform…
MĆŗsica para flauta sola latinoamericana por Manuel Carranza Cueto La flauta, como bien sabemos, es un instrumento musical de viento cuya caracterĆstica principal es ejecutar melodĆas. Desde tiempos inmemoriales, este instrumento ha formado parte de mitos y leyendas en diversas culturas alrededor del mundo, siendo descrito como un “instrumento divino”. Desde el libro de GĆ©nesis en la Biblia, hasta…
ŠŠ²ŃŠ¾Ń – ŠŠ°ŃŠøŠ½Š° ŠŠ¾Š»Š¾Š³Š“ŠøŠ½Š° Š”ŃŃŠµŃŃŠ²ŃŠµŃ ŃŠ¾ŃŠŗŠ° Š·ŃŠµŠ½ŠøŃ, ŃŃŠ¾ Š²Š¾Š·Š¼Š¾Š¶Š½Š°Ń Š½ŠµŠ»ŃŠ±Š¾Š²Ń Š. Š. ŠŠ¾ŃŠ°ŃŃŠ° Šŗ ŃŠ»ŠµŠ¹ŃŠµ Š±ŃŠ»Š° Š²ŃŠ·Š²Š°Š½Š° Š½ŠµŃŠ¾Š²ŠµŃŃŠµŠ½ŃŃŠ²Š¾Š¼ ŠøŠ½ŃŃŃŃŠ¼ŠµŠ½ŃŠ° ŃŠ¾Š¹ ŃŠæŠ¾Ń Šø, ŃŃŠ¾ Š¾Š³ŃŠ°Š½ŠøŃŠøŠ²Š°Š»Š¾ ŃŠ²Š¾ŃŃŠµŃŠŗŃŃ ŃŠ°Š½ŃŠ°Š·ŠøŃ ŠŗŠ¾Š¼ŠæŠ¾Š·ŠøŃŠ¾ŃŠ°. Š ŃŠæŠ¾Ń Ń ŠŗŠ»Š°ŃŃŠøŃŠøŠ·Š¼Š° Šø ŠæŃŠµŠ“ŃŠµŃŃŠ²Š¾Š²Š°Š²ŃŠµŠ³Š¾ ŠµŠ¼Ń Š±Š°ŃŠ¾ŠŗŠŗŠ¾ ŃŠ»ŠµŠ¹ŃŠ° Š¾Š±Š»Š°Š“Š°Š»Š° ŃŠµŠ»ŃŠ¼ ŃŃŠ“Š¾Š¼ Š°ŠŗŃŃŃŠøŃŠµŃŠŗŠøŃ , ŠøŠ½ŃŠ¾Š½Š°ŃŠøŠ¾Š½Š½ŃŃ Šø ŃŠµŃ Š½ŠøŃŠµŃŠŗŠøŃ Š½ŠµŠ“Š¾ŃŃŠ°ŃŠŗŠ¾Š²: ŃŠ°Š·Š½Š¾ŃŠ¾Š“Š½Š¾ŃŃŃ Š·Š²ŃŃŠ°Š½ŠøŃ ŃŠµŠ³ŠøŃŃŃŠ¾Š², ŠæŃŠ¾Š²Š°Š»Ń Šø ŃŠ°Š»ŃŃŃ Š² Š·Š²ŃŃŠ°Š½ŠøŠø ŠŗŠ°Šŗ Š¾ŃŠ“ŠµŠ»ŃŠ½ŃŃ Š·Š²ŃŠŗŠ¾Š², ŃŠ°Šŗ Šø Š¾ŃŃŠµŠ·ŠŗŠ¾Š² Š“ŠøŠ°ŠæŠ°Š·Š¾Š½Š°, ŃŠ»Š¾Š¶Š½Š¾ŃŃŃ Šø…
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