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Ejercicios creativos

por Omar Acosta Quiero compartir con todos una de las rutinas de estudio que utilizo diariamente, tanto para mí como para mis alumnos. Consiste en crear nuestros propios ejercicios de flauta; de esta manera, además de desarrollar la técnica desarrollamos la creatividad, la cual, tal vez, sea el área musical más importante y muchas veces también la más descuidada….

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Psicocinestesia nel flauto traverso

In my years of experience in Flute Didactics I was able to see that learning to express oneself musically requires both physical and psychic maturity, which can be reached with a didactic and psycho-kinesthetic study approach. The development of this musical awareness cannot ignore the acquisition, control and understanding, therefore of the basic elements of physiology and psychology that…

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Эрнесто Кёлер – Жемчужина Севера

Ernesto Köhler’s music – filled with light and romanticism, demonstrating all the possibilities of the flute, revealing the timbre richness of this beautiful instrument, sounds to this day, and on the banks of the Neva, in St. Petersburg, and in other cities, not only Russian and European, but also in others continents – Australia and America.

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II Edition

Dear flutists,We would like to introduce the Second Edition of The Babel Flute and thank all contributors who offered their unique research and knowledge to our flute community and made this edition very exciting! II EDITION ▪︎ In this Edition we are celebrating a 30 year anniversary of Emanuel Flutes. Sofia V de Salis met with Emanuel Arista in…

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I principi di aerodinamica che regolano la produzione del suono nel flauto e negli strumenti a fiato

Sound is an acoustic phenomenon, i.e. audible to the ear, produced by the periodic vibrations of an elastic body. Which is the elastic body that produces the sound in a violin or a guitar is easy to say: the strings that compose them are stressed by the performers. How is the sound produced instead in the instrument?
What is the…

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