di Marco Gaudino Prima della lettura di questo articolo si consiglia di leggere dello stesso autore, nel numero di Marzo 2022, “I Muscoli positivi e negativi coinvolti nella produzione del suono nel flauto e negli strumenti a fiato” Il vibrato nel flauto è un fenomeno acustico-espressivo nato da una variazione di altezza, intensità e timbro del suono su cui…
by Laura Chislett This year marks the 70th anniversary of the birth of Reza Vali, a renowned Iranian-American composer, professor of composition at the School of Music, Carnegie Mellon University. In this article, Australian flutist Laura Chislett talks about his flute music. I met Reza Vali in Pittsburgh in 1992 where he teaches at Carnegie Mellon University. His name…
por The Babel Flute Durante el semestre de primavera de 2022, algunos de los estudiantes de la escuela han estado trabajando en un ensayo de revisión para participar en el concurso Mejor revisión de un artículo promovido y patrocinado por The Babel Flute International Flute Magazine. CONCURSO ¡La idea es de Manuel Domingo Carranza Cueto, Director Regional de La…
by The Babel Flute team During Spring 2022 semester, some of the school students have been working on a review essay to enter the Best Review of an Article contest promoted and sponsored by The Babel Flute International Flute Magazine. CONTEST The idea belongs to Manuel Domingo Carranza Cueto, The Babel Flute Regional Director for South America! The aim…
by Enrico Sartori When I talk about intermediate flute students I refer to those who had regular flute lessons for a semester or one year, learned all the positions of the first two octaves, some positions of the third (up to a G at least) and can play some easy repertoire. There are countless flute methods in different countries…
Автор: Ирина Стачинская На примере I и II частей сонаты для флейты соло A-Moll Аннотация: В данной статье рассматривается связь искусства риторики со стилистикой сочинений, созданных в эпоху барокко. На примере I и II частей сонаты для флейты a-moll Ф. Э. Баха прослеживается роль риторических фигур в формировании выразительности её художественного содержания. Представленное исследование имеет целью подчёркнуть важность для…
By Snježana Pavićević Zašto bi svaki flautista trebalo da svira i piccolo? Piccolo flauta je najmanji instrument iz porodice flauta. Ali, iako mali veličinom, zahteva veliku posvećenost I pažnju želimo li od njega dobiti ono najbolje. Sve do unazad par decenija, ovaj mali instrument bio je uglavnom upotrebljavan kao dodatak grupi flauta u orkestrima, koji proširuje njihov ukupan opseg…
di Onorio Zaralli Il Concerto in Sol Magg. KV 313 non è certamente tra i lavori migliori di Mozart, ma rappresenta uno dei massimi capolavori della letteratura flautistica di ogni tempo. W. A. Mozart, Concerto in Sol Maggiore KV 313 per flauto e Orchestra (cadenze di Onorio Zaralli) Gianluca Vanzelli, flauto solista – Mihnea Ignat, direttore – Timisoara National…
by Helen Campo It’s the beginning of May – an average overcast morning in New York City, and I’m gazing out the window by my dining table drinking a cup of fennel tea, distractedly twirling my favorite oat breakfast cookie between my fingers. I notice, yet barely, the overlapping walls of brick, visible from the back of my apartment…
by Robert Cart This article introduces flutists to the imagery and physiological concepts of vocal pedagogy as presented by the great masters of bel canto singing (Lamperti, Garcia, Miller, et al), integrated with pedagogical approaches of the French school of flute playing as taught by Taffenel, Gaubert, Moyse, et al. The bel canto principles of appoggio, portamento, and messa…
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