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di Onorio Zaralli Excerpt from Onorio Zaralli’s book “Playing with the soul” ©2017 Conoscere è una esigenza dell’uomo. Ignorare è un bisogno dell’uomo. La differenza è chiara: conosco, quando ho esigenza di imparare e di crescere liberamente; ignoro, se ho bisogno di nascondere, se preferisco “conservare” piuttosto che rischiare di perdermi nella libertà. Bene: per quanto riguarda l’universo emotivo,…
It is the beginning of a new school year. Everything starts again. New hopes and new projects. But there is one goal all the teachers share. We want our students to improve, so we work on all the details that make a young musician complete.
por Omar Acosta Quiero compartir con todos una de las rutinas de estudio que utilizo diariamente, tanto para mí como para mis alumnos. Consiste en crear nuestros propios ejercicios de flauta; de esta manera, además de desarrollar la técnica desarrollamos la creatividad, la cual, tal vez, sea el área musical más importante y muchas veces también la más descuidada….
From 1930 to 1950 the flute was increasingly used for section parts in jazz orchestras and thematic exhibitions, ensuring a totally new sound for the time, but only twenty-two solos were recorded in those years.
In 2021 we celebrate a 30 year anniversary of the Emanuel Flutes, played by some of the finest musicians and appreciated for their incredible sound, beautiful design and a strong, reliable mechanism.
In my years of experience in Flute Didactics I was able to see that learning to express oneself musically requires both physical and psychic maturity, which can be reached with a didactic and psycho-kinesthetic study approach. The development of this musical awareness cannot ignore the acquisition, control and understanding, therefore of the basic elements of physiology and psychology that…
Ernesto Köhler’s music – filled with light and romanticism, demonstrating all the possibilities of the flute, revealing the timbre richness of this beautiful instrument, sounds to this day, and on the banks of the Neva, in St. Petersburg, and in other cities, not only Russian and European, but also in others continents – Australia and America.
From the start, I can guarantee you that learning to improvise will give you a genuine opportunity to free and liberate yourself. However, learning how to improvise can be a daunting task, and it immediately raises the question, “Where do I begin?”
Dear flutists,We would like to introduce the Second Edition of The Babel Flute and thank all contributors who offered their unique research and knowledge to our flute community and made this edition very exciting! II EDITION ▪︎ In this Edition we are celebrating a 30 year anniversary of Emanuel Flutes. Sofia V de Salis met with Emanuel Arista in…
Sound is an acoustic phenomenon, i.e. audible to the ear, produced by the periodic vibrations of an elastic body. Which is the elastic body that produces the sound in a violin or a guitar is easy to say: the strings that compose them are stressed by the performers. How is the sound produced instead in the instrument?
What is the…
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Dear Contributors, Loyal Readers and Supporters, With…
Dear flutists and flute enthusiasts, We’re celebrating…
by Lea Pearson This lesson took place…
New album by Australian flautist Laura Chislett…
By Rachael Simon, with contributions from Kimberley…
Автор – Марина Вологдина 14 апреля исполнилось…
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