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Female composers from down under, flute works, 1960s – 2000s

by Laura Chislett Australians love to move. Many of us spend weekends in The Great Outdoors participating in sport or simply experiencing the beauty of the natural world. The aural representation of landscape became a central theme of Australian composition from the mid 20th century onwards; likewise, the incorporation of elements from the cultures to our north. Toru Takemitsu…

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La flauta traversa en la música afroperuana

by Manuel Carranza Cueto Es muy conocido que la influencia de los ritmos provenientes del continente africano durante varios siglos ha sido determinante en muchas corrientes musicales. África, un continente de gran extensión (30.272 922 km² aprox.) y cuyos pueblos –que consta, en la actualidad, de 54 naciones – ha tenido una historia digamos sombría, desde el punto de…

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Flute in the art of Japan

by Yulia Berry The most exquisite form of art in Japan besides music is painting. It was inseparable from calligraphy, like the fine arts of China and Korea. Japanese artists developed interesting techniques that have nothing in common with Western art. The Japanese style of painting is characterized by an unusual composition and exquisite color schemes. For the masters…

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Иоганн Иоахим Кванц – придворный музыкант

Автор – Марина Вологдина ©  325 лет назад родился выдающийся флейтист Иоганн Иоахим Кванц (1697-1773), который, благодаря трудам, учёбе, странствиям, исканиям и упорству, прошёл путь от деревенской кузницы своего отца до дворцов Дрездена, Варшавы, Берлина и Потсдама, став в результате первым музыкантом при дворе короля Пруссии Фридриха II. Без его имени не обходится ни одна из  книг и статей…

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Il Pastore Svizzero (The Swiss Shepherd) by Pietro Morlacchi

by Enrico Sartori Almost every flute player is familiar with Il Pastore Svizzero (The Swiss Shepherd), a short piece for flute and piano written by Pietro Morlacchi.  It’s ofter performed in flute recitals and is generally liked by the audience as well, because it is very pleasant. After a lyric introduction, there is a theme and variations where the…

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Секреты эффективных занятий для флейтистов. Часть 3.

Автор – София де Салис В этой части своей методики «Эффективных занятий» я бы хотела поговорить более подробно о системе « Ключ» Хасая Алиева и дать некоторые другие практические рекомендации для быстрой релаксации, лучшей продуктивности, избавления от страхов, более эффективной подготовки к зачетам /концертам/ экзаменам/ конкурсам, быстрым устранением последствий стресса и выхода из самых сложных стрессовых ситуаций. Как мне кажется…

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5 tips for achieving greatness and staying focused

by Ebele The Flutist This year has started well for us as we have overcome the pandemic that held the world back in 2020-21. 2022 will definitely be a great year. Don’t let the problems and challenges we’ve encountered discourage you. Seek and believe that you will make it this year. Don’t forget that you must stay focused, determined…

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IV Edition

Dear flutists, We would like to present the fourth edition of the Babel Flute, which marks one year anniversary of the project and thank all the contributors who made the new edition possible and exciting! 4th Edition In this edition there is so much of new and unique flute research, written exclusively for The Babel Flute! We would like…

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