by Enrico Sartori When I talk about intermediate flute students I refer to those who had regular flute lessons for a semester or one year, learned all the positions of the first two octaves, some positions of the third (up to a G at least) and can play some easy repertoire. There are countless flute methods in different countries…
Автор: Ирина Стачинская На примере I и II частей сонаты для флейты соло A-Moll Аннотация: В данной статье рассматривается связь искусства риторики со стилистикой сочинений, созданных в эпоху барокко. На примере I и II частей сонаты для флейты a-moll Ф. Э. Баха прослеживается роль риторических фигур в формировании выразительности её художественного содержания. Представленное исследование имеет целью подчёркнуть важность для…
By Snježana Pavićević Zašto bi svaki flautista trebalo da svira i piccolo? Piccolo flauta je najmanji instrument iz porodice flauta. Ali, iako mali veličinom, zahteva veliku posvećenost I pažnju želimo li od njega dobiti ono najbolje. Sve do unazad par decenija, ovaj mali instrument bio je uglavnom upotrebljavan kao dodatak grupi flauta u orkestrima, koji proširuje njihov ukupan opseg…
di Onorio Zaralli Il Concerto in Sol Magg. KV 313 non è certamente tra i lavori migliori di Mozart, ma rappresenta uno dei massimi capolavori della letteratura flautistica di ogni tempo. W. A. Mozart, Concerto in Sol Maggiore KV 313 per flauto e Orchestra (cadenze di Onorio Zaralli) Gianluca Vanzelli, flauto solista – Mihnea Ignat, direttore – Timisoara National…
by Helen Campo It’s the beginning of May – an average overcast morning in New York City, and I’m gazing out the window by my dining table drinking a cup of fennel tea, distractedly twirling my favorite oat breakfast cookie between my fingers. I notice, yet barely, the overlapping walls of brick, visible from the back of my apartment…
by Robert Cart This article introduces flutists to the imagery and physiological concepts of vocal pedagogy as presented by the great masters of bel canto singing (Lamperti, Garcia, Miller, et al), integrated with pedagogical approaches of the French school of flute playing as taught by Taffenel, Gaubert, Moyse, et al. The bel canto principles of appoggio, portamento, and messa…
Una compositrice afroamericana col pseudonimo di Vee Jay di Vilma Campitelli Abstract Compositrice, educatrice, organista e pianista afroamericana. É stata la prima donna di colore ad essere riconosciuta come autrice di musica classica ed avere una sua sinfonia eseguita dalla una delle principali orchestre statunitensi. La sua musica è in uno stile tardo romantico e fa un uso considerevole…
Автор – Илья Дворецкий В предыдущей статье мы обсудили то, как стоять, как держать флейту и варианты выставления головки относительно корпуса: Основы игры на флейте. Часть 1. Постановка Теперь самое время поговорить об ещё одном базовом навыке – дыхании.Наше дыхание, это то, с чем мы рождаемся и то, что незримо сопровождает нас всю жизнь. Поэтому зачастую, мы не акцентируем…
di Marco Gaudino Il corretto uso dei muscoli dello strumentista nella produzione del suono nel flauto e negli strumenti a fiato è da considerarsi elemento fondamentale per la gestione della qualità del suono nei suoi parametri di sostegno, qualità timbrica e sonora, nonché nella gestione del fiato tra la sua durata, velocità, intensità del flusso emesso. Le azioni muscolari…
Dear flutists, We would like to present the fourth edition of the Babel Flute, which marks one year anniversary of the project and thank all the contributors who made the new edition possible and exciting! 4th Edition In this edition there is so much of new and unique flute research, written exclusively for The Babel Flute! We would like…
As we step into a new season,…
Flute Almanac proudly presents its Winter 2025…
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Flute Almanac is a more enriched, modernized,…
Dear Contributors, Loyal Readers and Supporters, With…
Dear flutists and flute enthusiasts, We’re celebrating…
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