by Onorio Zaralli Prendiamo ora in esame una qualità che interviene nella situazione in concerto, favorendo il nostro rapporto con il pubblico. E’ l’amabilità, una qualità “strategica” in un mondo che vive soprattutto nella comunicazione.Amabilità vuol dire disponibilità al rapporto.Molti di noi lo sono per natura, manifestano agio e disinvoltura nel rapporto con il pubblico: portati per il palcoscenico,…
Por Manuel Carranza Cueto Al hablar sobre el Indigenismo en la música peruana nos podemos referir prácticamente al mismo movimiento cultural que se dió en muchos países del mundo desde mediados del siglo XIX hasta mediados del siglo XX aproximadamente: El Nacionalismo musical. En los múltiples libros que hablan sobre la historia de la música encontramos grandes coincidencias en…
by Francesca Cescon A Venezia si è appena concluso il Festival “Luigi Nono” organizzato dall’omonimo archivio in collaborazione con altre importanti istituzioni culturali veneziani quali il Conservatorio di Musica “B. Marcello” e la Fondazione Ugo e Olga Levi. Questa edizione, dal titolo “Luigi Nono e i suoi Maestri”, in realtà avrebbe dovuto svolgersi nell’autunno del 2020 in occasione del…
The poet must begin with a poetic vision and then use the influential figures of speech, various forms of rhythm, cadence, alliteration, repetition, assonance, and consonance to obtain an adequate embodiment of this vision in terse form, which displays qualities very similar to music. The connection between music and poetry is solid and undeniable.
What value can we find today in Moyse’s legacy as a player and teacher for today’s flutists and wind players? As it turns out, there is plenty for us today in his legacy as a player, in the myriad accounts of his teaching, and in the many books he published.
One of the composers of our time who has been – within all his extraordinary musical heritage – one of the most important musical representatives who has made a great diffusion of this nationalist current with a very personal style is, without a doubt, the maestro Alejandro Núñez Allauca (Moquegua, 1943) and his contribution to the world of the…
Most of us musicians are highly self-critical. That tends to lead to worry, anxiety, and often pain, because pain and anxiety are inextricably linked. I call it “PainXiety.” And I see it every day with students from all over the world.
English multifaceted composer of the 19th century. Paladina of women’s rights boasts a catalog that embraces multiple compositional genres. She was a significant voice of the 19th century British and European music.
di Onorio Zaralli Excerpt from Onorio Zaralli’s book “Playing with the soul” ©2017 Conoscere è una esigenza dell’uomo. Ignorare è un bisogno dell’uomo. La differenza è chiara: conosco, quando ho esigenza di imparare e di crescere liberamente; ignoro, se ho bisogno di nascondere, se preferisco “conservare” piuttosto che rischiare di perdermi nella libertà. Bene: per quanto riguarda l’universo emotivo,…
It is the beginning of a new school year. Everything starts again. New hopes and new projects. But there is one goal all the teachers share. We want our students to improve, so we work on all the details that make a young musician complete.
As we step into a new season,…
Flute Almanac proudly presents its Winter 2025…
We are excited to present the first edition…
Flute Almanac is a more enriched, modernized,…
Dear Contributors, Loyal Readers and Supporters, With…
Dear flutists and flute enthusiasts, We’re celebrating…
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