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Автор – Илья Дворецкий Всю свою жизнь, как и большинство профессиональных флейтистов, я посвятил игре на флейте. 38 лет постоянного опыта игры на этом прекрасном инструменте сподвигли меня задуматься о том, как избежать множества ошибок в период обучения? Как максимально эффективно использовать свои силы и физические данные, чтобы процесс постижения азов не превратился в борьбу длинною в жизнь? На…
by Alan Weiss A beautiful tone is born naturally and cultivated over time. You want to strive to always keep developing a wide palette of timbres. You can nurture and evolve your control to become the best you can be! I have always stressed my tonal concept: Sing, never scream! Slow down and savor the long tones! You do…
Allemanda is a dance of German origin (as the name suggests), in even time (4/4), moderate pace, serious character. This initial information already suggests the linguistic structure of the piece, also offering us the possibility of identifying some interpretative characters.
by Onorio Zaralli Prendiamo ora in esame una qualità che interviene nella situazione in concerto, favorendo il nostro rapporto con il pubblico. E’ l’amabilità, una qualità “strategica” in un mondo che vive soprattutto nella comunicazione.Amabilità vuol dire disponibilità al rapporto.Molti di noi lo sono per natura, manifestano agio e disinvoltura nel rapporto con il pubblico: portati per il palcoscenico,…
Until a few decades ago, if you wanted to record a piece for solo flute or for a musical ensemble, you had to go to a recording studio, pay for the room, equipment and technicians, and wait several days for our recording.
In fact, few were the musicians who could afford this “luxury”: for most, it was simply a dream.
Thanks…
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