Автор – Марина Вологдина Существует точка зрения, что возможная нелюбовь В. А. Моцарта к флейте была вызвана несовершенством инструмента той эпохи, что ограничивало творческую фантазию композитора. В эпоху классицизма и предшествовавшего ему барокко флейта обладала целым рядом акустических, интонационных и технических недостатков: разнородность звучания регистров, провалы и фальшь в звучании как отдельных звуков, так и отрезков диапазона, сложность и…
Új könyv a magyar fuvolázás történetéről Czeloth-Csetényi Gyula Könyvünk 2022 decemberében jelent meg, és az első olyan anyag, amely kísérletet tesz a magyar fuvolaművészet történetének és jelenségeinek összefoglalására az utóbbi kétszáz évben. Korábban ilyen könyv nem született a mi országunkban, ebben a vonatkozásban mindenképp áttörés a magyar fuvolakultúra kutatásának területén. A csaknem ötszáz oldalas kötet két elhivatott fuvolaművész, Mr….
by The Babel Flute team From September 19 to 24, the digital realm became the stage for a unique musical odyssey for the second year (Read our report in 2022)! “The Babel Flute Days” celebrated the rich history of the flute, its diverse repertoire, and the global flute community, set to take place online in the mesmerizing backdrop of…
Global Flute Convention Dear Flute Enthusiasts, We are thrilled to invite you to a unique musical journey at the Global Flute Convention, “The Babel Flute Days,” set to take place online in the mesmerizing backdrop of Ancient Babylon. From September 19 to 24, immerse yourself in a celebration of the flute’s rich history, diverse melodies, and the global flute…
Dear flutists! The new 9th edition is out! In this issue, we are pleased to present 20 new articles! 4 new authors have joined us! We hope you realize how much new material has been written and how much valuable knowledge has been shared over these two years thanks to The Babel Flute and all 74 contributors from 27…
by Laura Chislett In 2022 I had the opportunity to travel solo to Europe which I hadn’t done for many a year. I visited some of the places where I had lived, worked or studied years before. A highlight was visiting Lucerne, during Festival time, where I caught up with Phoebe Bognar, who was playing in the Lucerne Festival…
di Marco Gaudino Il passaggio corretto dai suoni medio-alti a quelli acuti nel flauto non deve avvenire con tensioni esclusive focalizzate sulle labbra. Esso deve avvenire attraverso il sapiente uso del muscolo vocale detto “cricotiroideo”. Questo allunga le corde vocali, aumentando la velocità del flusso aereo in uscita dai polmoni e transitante per la glottide. Per glottide si definisce…
by Stefan Keller Curiosity – Versatility – Authenticity The Swiss professor for flute, traverso, expert in didactics, specialist for dynamic integration (Dynintegra) Eva Amsler lives a fulfilled life as a musician in many facets for and with the flute: old music on modern instruments; new music with electronics; mental training and stage fright; music and art in a broader…
Tracing a flutist’s unfolding practices and transitions By Dr Jean Penny Winding down through the Otway Ranges in southern Victoria, Australia, through steep hills and lush rainforest, the first glimpse of the sea, whether azure blue, green or purple grey, is always stunningly beautiful. It entices one immediately into the littoral zone, to the convergences of land and sea,…
by Jan Karman How it started One of my most favorite melodies of Bach, that I play on my flute, is his Alto Aria from Cantate BWV 170, “Vergnügte Ruh, beliebte Seelenlust”. Transcribed for his Oboe Concerto, it is written in D major, with this passage, going down to B. How would I ever be able to play this…
As we step into a new season,…
Flute Almanac proudly presents its Winter 2025…
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Flute Almanac is a more enriched, modernized,…
Dear Contributors, Loyal Readers and Supporters, With…
Dear flutists and flute enthusiasts, We’re celebrating…
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