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Psicocinestesia nel flauto traverso

In my years of experience in Flute Didactics I was able to see that learning to express oneself musically requires both physical and psychic maturity, which can be reached with a didactic and psycho-kinesthetic study approach. The development of this musical awareness cannot ignore the acquisition, control and understanding, therefore of the basic elements of physiology and psychology that…

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Эрнесто Кёлер – Жемчужина Севера

Ernesto Köhler’s music – filled with light and romanticism, demonstrating all the possibilities of the flute, revealing the timbre richness of this beautiful instrument, sounds to this day, and on the banks of the Neva, in St. Petersburg, and in other cities, not only Russian and European, but also in others continents – Australia and America.

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II Edition

Dear flutists,We would like to introduce the Second Edition of The Babel Flute and thank all contributors who offered their unique research and knowledge to our flute community and made this edition very exciting! II EDITION ▪︎ In this Edition we are celebrating a 30 year anniversary of Emanuel Flutes. Sofia V de Salis met with Emanuel Arista in…

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I principi di aerodinamica che regolano la produzione del suono nel flauto e negli strumenti a fiato

Sound is an acoustic phenomenon, i.e. audible to the ear, produced by the periodic vibrations of an elastic body. Which is the elastic body that produces the sound in a violin or a guitar is easy to say: the strings that compose them are stressed by the performers. How is the sound produced instead in the instrument?
What is the…

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5th International Theobald Böhm Competition for Flute and Alto Flute

The 5th International Theobald Böhm Competition for Flute and Alto Flute will take place from Monday 7 March to Wednesday 10 March 2022 in the Kleiner Konzertsaal of the Hochschule für Musik und Theater München in the Arcisstraße 12. The entrance to the competition and to the winner’s concert on 10 March 2022 at 18.00 is free.

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S. Prokofiev, Sonata in Re Magg. op. 94

This Sonata was written in Alma Ata during the painful years of the Second World War. Performed for the first time in 1943 by the flutist Charkovsky, “accompanied” on the piano by Sviatoslav Richter, the composer subsequently made a version for violin and piano, in collaboration with David Oistrakh. The piece still represents today an authentic masterpiece of the…

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